Reassembled from approximately thirty pieces (some additional fragments are not until now included in the restoration· see Marcadé – Raftopoulou 1963, fig. 11). Still missing parts are filled in with plaster. The inset head, the right arm from the shoulder, the left from the middle of the forearm (inset), as well as small parts of the folds of the garments are missing. Chipping is evident sporadically on the surface of the marble. The figure is depicted standing, frontal, supporting its weight on the left leg, while the right is free, slightly bent and placed back (the heel is slightly raised). She wears a long, sleaved chiton, a peronatris, a himation, and closed leather shoes (calcei muliebres). The himation covers most of the body, except for the right part of the chest, forming at the front a diagonal cylindrical mass, partially unfolded, from the height of the right armpit to the left shoulder, from where it continues to the back. Its front edge falls on the left extended arm. The closed shoes and the findspot probably support the identification of the figure as a portrait.
G. Roux, “Travaux de l’École Française. Argos”, BCH 77 (1953), 244-248; J. Marcadé, E. Raftopoulou, “Sculptures argiennes”, BCH 87 (1963), 35, 43-47, cat. no. 49, figs. 10-12 (portrait statue); I. Linfert-Reich, Musen- und Dichterinnenfiguren des vierten und frühen dritten Jahrhunderts, Köln 1971, 58; H. Kruse, Römische weibliche Gewandstatuen des zweiten jahrhunderts n.Chr., Göttingen 1975, 146, 357, cat. no. D 58; A. Filges, Standbilder jugendlicher Göttinnen, Köln-Weimar-Wien 1997, 107, 108, 164, 169, 170, 205, 210, 227, 277, cat. no. 167 with fig.; https://arachne.dainst.org/entity/1061073?fl=20
